SIGNALS prototype at Black Out. Premiere at Mondiale du Tatouage 03-04-05 March in Paris. Led made by GargeCube. Picture by Arnaud Deprez / NONOTAK 2017
In “Chemical Poetry” artists Roman Hill and Paul Mignot use fluid dynamics to create incredible and engaging visuals. With a stunningly close eye to fluids mixing and chemicals reacting, their imagery feels like gazing on primordial acts of creation or destruction. There’s even a sequence that feels like you’re watching an explosion in slow-motion, but there’s no CGI in any of it. This is just the beauty of physics laid bare, revealing the dances driven by surface tension, the undulations of a fluid’s surface, and the dendritic spread of one fluid into another – all cleverly lit and filmed for maximum effect. It is well worth taking the time to watch the whole video and check out more of their work. (Image/video credit and submission: NANO; GIFs via freshphotons)
This is a cool article about the unexpected connection between talent in music and talent in tech.
My Dad and I were both musicians “on the side”. He is a doctor, and we have often noticed how many doctors had some sort of musical skills. When I took music in university, many musicians were also good at mathematics. These might seem like weird combinations of “creative” and “analytical” thinking, but it’s not as weird as you might think.
According to the linked article, the connection might be related to learning systems, rather than rules.
The connection between music and tech (or medicine) — as the article says — might be an ability to see the “big picture” of things. The patterns. The structure. The reason why the parts exist.
While many people just learn things by repeating what they have seen, the great people learn the underlying architecture of these things so they can improvise and be creative within that structure.
From the article:
“Michael Belton, vice president of research and development at the cybersecurity company Optiv, has a theory why. “You’re talking about languages,” says Belton, “Mathematics and languages are intertwined.” A musician who’s able to adeptly compose a song has a grasp of musical language. They’re able to apply the concepts they learned to manipulate something new. And this skill is exactly what security professionals do. “If you’re trying to write an exploit,” Belton says, “you’re stepping back and thinking, ‘Here’s a piece of software and here’s what it does.’”
It might not be obvious how this is related to the types of stuff I normally write about (design, UX, products, etc.). But psychologically, this is much bigger than music and cybersecurity.
And I wouldn’t call it an “ability”. It’s more of a perspective.
In music, or math, or tech, or design… you can either learn things as if they are rules, or you can learn things as if they are examples of bigger structures. The thing is, music is really boring if you only learn to execute the music in front of you, so everybody approaches music as if the rules were made to be broken.
The real fun happens when you write your own music or interpret the notes in your own way. That’s the difference between a symphony pianist and someone playing Billy Joel’s greatest hits on a cruise ship.
When you do an A/B test and the red links beat the blue links, you can either decide that red links are better than blue links as a rule, or you can decide that red links were better than blue links this time, based on the elements of the rest of the design around them.
If you’re new to UX then the difference might not be that obvious. But after 10 years of using one of those perspectives, the difference is huge.
You will either become good at following rules (boring), or you will have learned how to experiment with the patterns of the past (innovation).
People that learn rules will be totally confused if blue links ever beat red links but people who are learning patterns or systems will realize that the relationship between the background color and the link color matters more than the actual color of the links themselves.
In technology, however, it is easy to forget that you’re allowed to write your own music… it’s easy to focus on making things “right” instead of innovating.
The linked article takes a more practical approach to this subject, talking about hiring tech talent. It even points out that “technical competence” is actually less important than the way job candidates think. (It amazes me that this is news to anyone, but I digress…)
But more importantly, as the article tries to say: the key is to understand how your ideas fit into the big picture. Not just whether they look like the other shit that’s popular right now.
Tesselate is a completely scalable and adaptable installation, for an indoor as well as an outdoor space. The main idea is to create each time a new polygonal shape and use the anamorphosis “hot spot” to give the public the impression it is coming out of the wall / building. The flat 3D volume can be printed on cheap laser printer and then glue pasted onto a wall or can be drawn with sharpy pens directly on the wall. The result comes to life thanks to projection.
For this edition of Kosice’ Biela noc, Joanie Lemercier will make an in situ version of one of his Tesselate as each of them is unique.
Credits : Original concept and visuals : Joanie Lemercier Production : Juliette Bibasse Video production : Woont Studio Košice Art director of White Night festival Slovakia: Zuzana Pacakova Technical support: Braňo Bernár and SHOWMEDIA